| Issue No. 14 |
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FEBRUARY 2010 (Special Issue) This special issue covers Part 1 of "Radical Theatre and Ireland" and "Philippine Theater and Martial Law." Part 2 will be published in the next issue of Kritika Kultura.
History as Rumor: The Political Fantasy of the Negrense Elite in Vicente Groyon's Disciplining the Times and Spaces of Modernism FORUM KRITIKA: RADICAL THEATRE AND IRELAND (part 1) Victor Merriman convened “Radical Theatre and Ireland: A Colloquium” on February 6-7, 2009 at Liverpool Hope University. The project to publish the proceedings of the colloquium in Kritika Kultura is suggested by David Lloyd, Visiting Professor at Hope and member of the Kritika Kultura International Advisory Board. "Not Always, But Often": Introduction to a Special Issue on Radical Theatre and Ireland "He Calls His Dada Still": Nineteenth Century English Radicalism and the Drama of Padraic Pearse Socialist Shenanigans and Emerald Epiphanies: The Case of Margaretta D'Arcy and John Arden forum kritika: Philippine theater and martial law (part 1) The papers in this forum were read at “Teatro Testimonio: Poetics and Politics of Performance in the Philippines Under Martial Law,” a Kritika Kultura Lecture Series held on February 17, 2010 at the Ateneo de Manila University. This issue features an introduction by National Artist Bienvenido Lumbera and three paper testimonials from the “cultural workers” of the period. Philippine Theater in Confinement: Breaking Out of Martial Law Playwriting in the Time of Exigency Crossing Borders: Philippine Activist Theater and Martial Law Spectacle! The Power of Protest Drama During Martial Law
NEW SCHOLARS FORUM Orosipon Kan Bikolnon: Interrupting the Nation LITERARY SECTION: POETRY The Poem as Anagram: A Brief Introduction to the Work of Vincenz Serrano Selections from The Collapse of What Separates Us LITERARY SECTION: FICTION Interview with Jose Y. Dalisay Agcalan Point |
